Awesome Channel Amplifier Review
When you call the results of two-and-a-half years of product development ‘Awesome Channel Amplifier’, it had better be just that. So says the Awesome Transistor Amplifier Company – and we totally agree. The More...
StageScape M20d Review
Essentially, mixing console design hasn’t really changed all that much. Go back to the old EMI consoles such as the REDD.51 featured in Studio Icons No24 last month and you can see the basic design beginning More...
ZED60-14FX Mixer Review
Allen & Heath’s ZED mixer series is now 14 strong and this mixer is one of two models fitted with 60mm channel faders. The other ZED desks have either volume pots or larger 100mm faders. The pots facilitate More...
Mackie DL1608 Review
The line between mobile technology and professional music equipment continues to blur, as iOS devices become increasingly used not just as sketchpads, but serious professional tools. Granted, in this context More...
Reason 6.5 Review
For much of its life, Reason was quite unique in the music technology world. It was a MIDI sequencer that didn’t record audio and didn’t have native support for plug-ins but was nonetheless incredibly popular. More...
Pro16FX Review
You’d think that in an ideal world, any midrange mixing desk would serve the demands of the project recording studio as well as those of a small to medium-size gig. So in terms of the necessary functionality, More...
01V96i Review
Yamaha’s digital consoles are a common sight in small-to-medium-size venues. They’re both reliable and easy to use, and although not having a single knob for each function might be a little confusing at first, More...
MultiMix 8 USB FX Review
Alesis’ new USB mixing desk and audio interface offers a lot of essential features for the small project studio – at a small project studio-friendly price! The key feature of this most recent addition to the More...
