Behringer recreates another classic synth, focusing on a favourite of artists such as Depeche Mode and The Prodigy. But can this budget version deliver the same delicious analogue sound?
Melding traditional Indian classical with freeform jazz and electronica, producer and composer Sarathy Korwar explores what it means to be Indian in a UK, and how he wants to soundtrack a united utopia.
From the Bourne Identity to WandaVision, set designers have used studio equipment to build high-tech looking environments – but if you’re a studio nerd it can break the illusion.
Sometimes you don’t need to spend the earth to get great software. We’ve scoured the internet for our pick of the months best freeware synths, instruments, processors and effects.
Behringer recreates another classic synth, focusing on a favourite of artists such as Depeche Mode and The Prodigy. But can this budget version deliver the same delicious analogue sound?
Melding traditional Indian classical with freeform jazz and electronica, producer and composer Sarathy Korwar explores what it means to be Indian in a UK, and how he wants to soundtrack a united utopia.
From the Bourne Identity to WandaVision, set designers have used studio equipment to build high-tech looking environments – but if you’re a studio nerd it can break the illusion.
Sometimes you don’t need to spend the earth to get great software. We’ve scoured the internet for our pick of the months best freeware synths, instruments, processors and effects.
Steve Mackey was much loved as the well-heeled bassist in Sheffield underdogs Pulp and long-time musical accomplice of their ubiquitous frontman Jarvis Cocker. But he’s also ploughed an alternative musical furrow as a producer and remixer, energising everyone in the studio from the lo-fi ragga of M.I.A., to the stadium guitar pop of Arcade Fire. We caught up with him to trace his journey from Pulp to top producer and beyond…