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Daniel Seah
NAMM 2022: Melbourne Instruments’ Nina is a 12-voice polysynth with motorised controls
Moog employees are unionising for better pay and job security: “The company pays far less than a living wage”
NAMM 2022: Audient promises “console sound” with the iD44 MKII desktop interface
NAMM 2022: Warm Audio recreates studio classics with the WA-47F and WA-CX12
Flume had a hard time impressing Damon Albarn on Palaces: “I must have played 20 different drafts and he just wasn’t into anything”
The God Particle is “the only plug-in” on 15-time Grammy-winner Jaycen Joshua’s mix bus
NAMM 2022: Novation’s Launchkey MIDI controller range gets an 88-key member with a premium new keybed
Nigel Godrich’s From The Basement series returns in 2022 with sets from Caribou, Sons Of Kemet, IDLES and more
Apple WWDC 2022: MacBook Air, iOS16, mixed-reality headset and other rumours
Adele producer Paul Epworth: “Poor kids without industry links have no hope of fulfilling their dreams of a job in music”
Audient’s EVO 16 has one knob, a high-resolution screen and a smart device experience
Superbooth 2022: Arturia’s V Collection 9 adds even more classic synths and Augmented instruments
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