The human voice rarely produces the same sound twice, so we edit endlessly to achieve 'almost-the-same' doubles. VocAlign Ultra proposes we spend less time doing so.
Finding the right cinematic sounds for your next project could catapult your music to the first division. We avoid relegation by booking a place in the Premier league.
With its clip-based workflow, Live found favour among electronic musicians. With version 11, it improves its linear recording tools without forgetting its experimental base.
Melding traditional Indian classical with freeform jazz and electronica, producer and composer Sarathy Korwar explores what it means to be Indian in a UK, and how he wants to soundtrack a united utopia.
Artist, producer and multi-instrumentalist Catherine Anne Davies explains why she values craft over inspiration, deliberately degrades signals and how she made her long-awaited second Anchoress album.
Sometimes you don’t need to spend the earth to get great software. We’ve scoured the internet for our pick of the months best freeware synths, instruments, processors and effects.
The human voice rarely produces the same sound twice, so we edit endlessly to achieve 'almost-the-same' doubles. VocAlign Ultra proposes we spend less time doing so.
Finding the right cinematic sounds for your next project could catapult your music to the first division. We avoid relegation by booking a place in the Premier league.
With its clip-based workflow, Live found favour among electronic musicians. With version 11, it improves its linear recording tools without forgetting its experimental base.
Melding traditional Indian classical with freeform jazz and electronica, producer and composer Sarathy Korwar explores what it means to be Indian in a UK, and how he wants to soundtrack a united utopia.
Artist, producer and multi-instrumentalist Catherine Anne Davies explains why she values craft over inspiration, deliberately degrades signals and how she made her long-awaited second Anchoress album.
Sometimes you don’t need to spend the earth to get great software. We’ve scoured the internet for our pick of the months best freeware synths, instruments, processors and effects.
Bridging the gap between traditional cinematic, orchestral strings and something otherworldly, Novo boasts plenty to get excited about. Dave Gale gets modern with this...
Heavyocity’s new multi-effects plug-in aims to cause some damage to your effects chain with its new four-in-one beast, Heavyocity Punish. Bill Francis gets his...
One of our favourite pieces of software, Heavyocity's Aeon, is now available for Propellerhead's Reason. Read on to find out more...
Official Info
AEON Synth delivers...
Heavyocity have released GP01: Natural Forces, the first in a brand new line of GRAVITY Pack instruments. Natural Forces contains a range of uniquely...
Libraries for soundtrack composers are at something of a peak in popularity. Andy Jones loads up Heavyocity’s latest, which uses vast swathes of hands-on...
Heavyocity has today announced the release of Gravity: Modern Scoring Tools. This incredible cinematic virtual instrument has been developed by a roster of industry...
Heavyocity AEON
This comprises two collections: Rhythmic and Melodic. And, while this is one of the older collections here, it’s still a great all-rounder. In his...
Following Damage and the AEON series, can the DM-307 live up to Heavyocity’s high production standards? Mark Cousins finds out.
Details
Price $299
Contact via website
Web - www.heavyocity.com
Minimum System...
With moody cinematic libraries in abundance, Liam O’Mullane tests Heavyocity’s latest release, listening for something unique in this AEON review
Details
Price $399
Contact info@heavyocity.com
Web www.heavyocity.com
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