The human voice rarely produces the same sound twice, so we edit endlessly to achieve 'almost-the-same' doubles. VocAlign Ultra proposes we spend less time doing so.

Finding the right cinematic sounds for your next project could catapult your music to the first division. We avoid relegation by booking a place in the Premier league.

With its clip-based workflow, Live found favour among electronic musicians. With version 11, it improves its linear recording tools without forgetting its experimental base.

This collection of rhythmic patterns spans orchestral and foley percussion, but will it drive us wild?

Melding traditional Indian classical with freeform jazz and electronica, producer and composer Sarathy Korwar explores what it means to be Indian in a UK, and how he wants to soundtrack a united utopia.

Learn why the producer and label owner made 75 tracks in 50 days for her new album and how a SZA collaboration happened over SoundCloud

Artist, producer and multi-instrumentalist Catherine Anne Davies explains why she values craft over inspiration, deliberately degrades signals and how she made her long-awaited second Anchoress album.

The LA-based producer shows us how he makes chilled-out dance music with a collection of gorgeous synths and guitars