Finding the right cinematic sounds for your next project could catapult your music to the first division. We avoid relegation by booking a place in the Premier league.
With its clip-based workflow, Live found favour among electronic musicians. With version 11, it improves its linear recording tools without forgetting its experimental base.
Artist, producer and multi-instrumentalist Catherine Anne Davies explains why she values craft over inspiration, deliberately degrades signals and how she made her long-awaited second Anchoress album.
Sometimes you don’t need to spend the earth to get great software. We’ve scoured the internet for our pick of the months best freeware synths, instruments, processors and effects.
Finding the right cinematic sounds for your next project could catapult your music to the first division. We avoid relegation by booking a place in the Premier league.
With its clip-based workflow, Live found favour among electronic musicians. With version 11, it improves its linear recording tools without forgetting its experimental base.
Artist, producer and multi-instrumentalist Catherine Anne Davies explains why she values craft over inspiration, deliberately degrades signals and how she made her long-awaited second Anchoress album.
Sometimes you don’t need to spend the earth to get great software. We’ve scoured the internet for our pick of the months best freeware synths, instruments, processors and effects.
Controlling your DAW with hardware can be a tempting prospect and Studiologic’s Mixface promises advanced and seamless integration for the modern studio. Does it face up to the challenge?
Studiologic are out to pack a punch in their new Numa Compact 2x keyboard, which features 3 sounds engines, 9 programmable sliders and semi-weighted...