Interviews

We catch up with the good doctor to talk production, studio life in Australia and more.

From Slipknot and drum kits to slipmats and drum ’n’ bass, Joe Ford explains how he made the move from metal enthusiast to acclaimed in-the-box producer and DJ

Tinnitus is one of the worst afflictions a music-maker can endure. Now, the developers of game-changing new app T-Minus are hoping to help sufferers get back into the studio. Will their promise ring true?

Oliver Patrice Weder has forged a multi-faceted career scoring film and TV projects, working as lead composer for Spitfire Audio and somehow finding the time to write original music. We speak to Weder about spinning plates and the differences between his many processes.

Chris Andoh tells us the story behind producing and co-writing the colossal hit Vossi Bop and how 10 years of creative passion is finally paying off.

We sit down with in-demand film composer Tyler Bates to discuss punishing deadlines, his love of orchestral arrangement, and collaborating with non-musicians.

Producer Hybrasil cut his teeth crate-digging in Dublin, taking his three-deck mixing talents to radio where he DJ’d for years. Now he’s based in...

Following the release of Psychemagik's brilliant debut LP, I Feel How This Night Should Look, we learn more about the record’s challenging birth and genre-straddling production processes.

Intergalactic producer Space Dimension Controller takes us on a trip behind his intriguing new album, Love Beyond The Intersect and lets us in on how his passion for broken synthesizers shapes new sounds.

Part of the iconic duo Coldcut and a founder of one of the industry’s most prominent labels, Ninja Tune, Matt Black speaks to us about his illustrious career, as well as some brand-new inventions that he co-created.