Behringer recreates another classic synth, focusing on a favourite of artists such as Depeche Mode and The Prodigy. But can this budget version deliver the same delicious analogue sound?
Melding traditional Indian classical with freeform jazz and electronica, producer and composer Sarathy Korwar explores what it means to be Indian in a UK, and how he wants to soundtrack a united utopia.
From the Bourne Identity to WandaVision, set designers have used studio equipment to build high-tech looking environments – but if you’re a studio nerd it can break the illusion.
Sometimes you don’t need to spend the earth to get great software. We’ve scoured the internet for our pick of the months best freeware synths, instruments, processors and effects.
Behringer recreates another classic synth, focusing on a favourite of artists such as Depeche Mode and The Prodigy. But can this budget version deliver the same delicious analogue sound?
Melding traditional Indian classical with freeform jazz and electronica, producer and composer Sarathy Korwar explores what it means to be Indian in a UK, and how he wants to soundtrack a united utopia.
From the Bourne Identity to WandaVision, set designers have used studio equipment to build high-tech looking environments – but if you’re a studio nerd it can break the illusion.
Sometimes you don’t need to spend the earth to get great software. We’ve scoured the internet for our pick of the months best freeware synths, instruments, processors and effects.
Melding traditional Indian classical with freeform jazz and electronica, producer and composer Sarathy Korwar explores what it means to be Indian in a UK, and how he wants to soundtrack a united utopia.
Artist, producer and multi-instrumentalist Catherine Anne Davies explains why she values craft over inspiration, deliberately degrades signals and how she made her long-awaited second Anchoress album.
To reconstruct Eurodance classics and Max Martin productions for Just Dance, and classic rock for Guitar Hero, the producer must go into forensic detail.
With lockdown restricting full-band recording for PSB's next album, and without his key kit, Willgoose found himself adrift, with only a selection of outdated and underused tech in his home studio. With this, however, he crafted an extraordinary solo record as Late Night Final.
Marrying the worlds of synthetic pop, techno and classical music and forgrounding his trademark delicate piano, Ólafur Arnalds explains how he constructed his latest album both pre- and post-lockdown.