Interviews

With their European tour halted, the eclectic Texas duo reflects on making their latest record and how musicians need to adapt to prosper.

Melding traditional Indian classical with freeform jazz and electronica, producer and composer Sarathy Korwar explores what it means to be Indian in a UK, and how he wants to soundtrack a united utopia.

Artist, producer and multi-instrumentalist Catherine Anne Davies explains why she values craft over inspiration, deliberately degrades signals and how she made her long-awaited second Anchoress album.

The electronic-guitar band explain the DIY production of new album Glowing in the Dark, synth option panic and why they always keep everything set up.

To reconstruct Eurodance classics and Max Martin productions for Just Dance, and classic rock for Guitar Hero, the producer must go into forensic detail.

With lockdown restricting full-band recording for PSB's next album, and without his key kit, Willgoose found himself adrift, with only a selection of outdated and underused tech in his home studio. With this, however, he crafted an extraordinary solo record as Late Night Final.

Dutch genre-bender Mason tells us about the making of his third LP, Frisky Biscuits and why he loves sampling himself and ignoring trends

Marrying the worlds of synthetic pop, techno and classical music and forgrounding his trademark delicate piano, Ólafur Arnalds explains how he constructed his latest album both pre- and post-lockdown.

In this video edition of Under The Hood, hear how Imaginary Friends (ov) [Morgan Page Remix] was made.

Ibiza’s in-house doctor offers some remedies to treat poor four-to-the-floor rhythms and clotted low-end frequencies.