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Poolside: “My philosophy on this record was to seek unique sounds and textures and write without any real aims”
“Ambient music is about drawing out the details in the small sounds”: Producer Cephas Azariah on his essential reverb plugins
Is Pioneer DJ’s PLX-CRSS12 turntable really a “game-changer” for vinyl and digital DJs?
For the love of sound : How vintage hi-fi sound systems are driving boutique club nights forward
Speed house herald, CHYL, reveals the plugins behind her “high-energy, fast-paced beats and infectious” sound
“Analogue warmth and imperfections are vital”, says producer-singer, Jessica Winter
Joy to the world: How a community inspired Joy Anonymous to fly far from their Southbank beginnings
A daring move to Germany gave Vagabon “purity” to write her first album in four years
Barry Can’t Swim: “Producers can often overthink – I’m at my best and most creative when I’m underthinking”
How CRSSD Festival is using synths to transform electronic music fans into producers
Native Instruments: “We had to modernise our architecture… We’re now more aligned in new ways to integrate our hardware and software”
“I like to find weird stuff that’s mad rare”: Inside Carter Lang’s overflowing hardware haven
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