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Joy to the world: How a community inspired Joy Anonymous to fly far from their Southbank beginnings
A daring move to Germany gave Vagabon “purity” to write her first album in four years
Barry Can’t Swim: “Producers can often overthink – I’m at my best and most creative when I’m underthinking”
How CRSSD Festival is using synths to transform electronic music fans into producers
Native Instruments: “We had to modernise our architecture… We’re now more aligned in new ways to integrate our hardware and software”
“I like to find weird stuff that’s mad rare”: Inside Carter Lang’s overflowing hardware haven
“It was the most fun I’ve ever had in the studio”: Tobtok teams up with farfetch’d for a friend-centred EP
“Reason’s competition is actually Netflix and Steam”: CEO Niklas Agevik sees Reason as more than just a DAW
Mykki Blanco and Falty DL: “It’s hard to describe the most important collaborative relationship we’ve ever had”
AFROJACK: “It’s possible to achieve success in the music industry if you abide by certain disciplines and rules”
Modular racks, Moog synths and sandwiches: Inside ‘Betty’s’, Sylvan Esso’s “off-grid” studio
“Let your instinct lead the process,” says dancer-turned-producer DJ Karaba
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