Magazine

MusicTech Magazine Issue 187: Composing in the Cloud

Over the past 20 years the internet has transformed the world of music-making. Sharing our works-in-progress or collaborating with people around the globe is...

MusicTech Magazine Issue 186: Sonic Perfection

In our cover feature this month, Alex Holmes guides you through the science and logic behind why it’s necessary to calibrate your studio and...

MusicTech Magazine Issue 184 – Hans Zimmer

He's the man who revolutionised modern film scores with a creative approach to music-making, sonic experimentation and sound utilisation that helps some of the...

MusicTech Magazine Issue 182 – Music For Picture: The Ultimate Guide

Imagine some of those iconic cinematic scenes without the music. The scintillating establishing scenes of Blade Runner’s futuristic Los Angeles, Elliot and E.T. soaring...

MusicTech Focus – Ableton Live 10

Become an Ableton expert with this guide to version 10! This is a very special issue of MusicTech Focus dedicated the latest version of the...
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Recent Articles

Aston Microphones reveals the look of Element, but you decide the sound

With the first round of testing complete, Aston Microphones invites you to register and help determine the voicing of their new microphone.

Music industry rallies around Black community following George Floyd killing

The non-profit organisation challenges the industry to “use its voice, resources and influence”

Cinematic Rooms is a reverb plug-in for mixers working in Atmos

LiquidSonics’ new reverb simulates acoustic spaces in channel formats up to 7.1.6.
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