At the top end of the budget there’s a lot of choice, but the twotwo.6s from PMC are MusicTech editor Andy Jones’ choice, and Huw agrees…
“The principal reason the twotwo.6s are outstanding is that nothing stands out.
There’s no low-mid hump, forward midrange or glassy treble sheen and the balance remains constant regardless of level. The depth of the soundstage is incredible and left/right imaging is about as crisp as it gets.
“If you prefer listening to your speakers rather than listening to the music, these may not be for you. But if you want a clear and neutral window into what’s going on with your mix, the twotwo.6s deliver everything you could ask for.”