The human voice rarely produces the same sound twice, so we edit endlessly to achieve 'almost-the-same' doubles. VocAlign Ultra proposes we spend less time doing so.
Finding the right cinematic sounds for your next project could catapult your music to the first division. We avoid relegation by booking a place in the Premier league.
With its clip-based workflow, Live found favour among electronic musicians. With version 11, it improves its linear recording tools without forgetting its experimental base.
Artist, producer and multi-instrumentalist Catherine Anne Davies explains why she values craft over inspiration, deliberately degrades signals and how she made her long-awaited second Anchoress album.
Sometimes you don’t need to spend the earth to get great software. We’ve scoured the internet for our pick of the months best freeware synths, instruments, processors and effects.
The human voice rarely produces the same sound twice, so we edit endlessly to achieve 'almost-the-same' doubles. VocAlign Ultra proposes we spend less time doing so.
Finding the right cinematic sounds for your next project could catapult your music to the first division. We avoid relegation by booking a place in the Premier league.
With its clip-based workflow, Live found favour among electronic musicians. With version 11, it improves its linear recording tools without forgetting its experimental base.
Artist, producer and multi-instrumentalist Catherine Anne Davies explains why she values craft over inspiration, deliberately degrades signals and how she made her long-awaited second Anchoress album.
Sometimes you don’t need to spend the earth to get great software. We’ve scoured the internet for our pick of the months best freeware synths, instruments, processors and effects.
MusicTech Focus: Logic Pro 2013 is out now!
132 pages of pure Logic Pro 9 know-how, written and compiled by MusicTech Magazine’s Logic experts. Including...
Mark Cousins continues his look at using Logic's ES2 for step sequencing in this Logic Tutorial
Voltage Control
Having finished our sequence for now, the real...
Thanks to a raft of MIDI editing features, programming acoustic drums in Logic can yield surprisingly realistic results. Mark Cousins shows you how in...
Logic Pro’s powerful filtering plug-ins can yield some radical timbral transformations – if you know how to exploit them. Mark Cousins shows you round...
More than just a reverb plug-in, Space Designer can perform some intriguing convolution-based sound-design tricks. Mark Cousins gets experimental in this Logic Tutorial
Given that...
The human voice rarely produces the same sound twice, so we edit endlessly to achieve 'almost-the-same' doubles. VocAlign Ultra proposes we spend less time doing so.