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Caravel makes devastating techno using reFX’s “flawless” Nexus4 plugin
“Reason’s competition is actually Netflix and Steam”: CEO Niklas Agevik sees Reason as more than just a DAW
How the Korg MS-20 and the MS-20 Mini became a parent-child powerhouse
Mykki Blanco and Falty DL: “It’s hard to describe the most important collaborative relationship we’ve ever had”
Murlo’s desert island music tool? “A field recorder and a bunch of batteries”
AFROJACK: “It’s possible to achieve success in the music industry if you abide by certain disciplines and rules”
James Blake’s Alexandra Palace show was a live electronic masterclass
Modular racks, Moog synths and sandwiches: Inside ‘Betty’s’, Sylvan Esso’s “off-grid” studio
“Let your instinct lead the process,” says dancer-turned-producer DJ Karaba
How the vinyl industry weathered pandemic disruptions to emerge stronger than ever
Bootlegs, covers, and scammers: inside Slushii’s fight to reclaim digital ownership
Tycho’s $160,000 studio collection is flying off Reverb’s shelves: Why he’s selling and what to expect from his 2024 album
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