Jim Ottewill

As Kelly Lee Owens prepares to release her sophomore album Inner Song, she tells us about her roundabout route to music-making and the excitement she finds in the glitches between machines and their users.

The MPG award-winner discuss her love of tape machines, her studio process and​ how LinkedIn helped her land the job of mixing Bjork’s Utopia.

We meet the South London star to talk social circles, maintaining sanity in the studio, and his most important piece of advice: there are no rules.

Chris Andoh tells us the story behind producing and co-writing the colossal hit Vossi Bop and how 10 years of creative passion is finally paying off.

Following the release of Psychemagik's brilliant debut LP, I Feel How This Night Should Look, we learn more about the record’s challenging birth and genre-straddling production processes.

Intergalactic producer Space Dimension Controller takes us on a trip behind his intriguing new album, Love Beyond The Intersect and lets us in on how his passion for broken synthesizers shapes new sounds.

We pick Dan Carey's brain for his creative processes and why he currently has a need for speed when working in the studio.

Luca Bacchetti has soaked up a wild aural palette as a globe-trotting DJ, but it was returning to a bungalow in rural Tuscany that allowed him to shape his debut album, Secret World.

Mark Ralph has produced some of the biggest chart smashes in recent years, working with an impressive roster of artists that includes Clean Bandit, Hot Chip, Jax Jones and many more.

Steve Mackey was much loved as the well-heeled bassist in Sheffield underdogs Pulp and long-time musical accomplice of their ubiquitous frontman Jarvis Cocker. But he’s also ploughed an alternative musical furrow as a producer and remixer, energising everyone in the studio from the lo-fi ragga of M.I.A., to the stadium guitar pop of Arcade Fire. We caught up with him to trace his journey from Pulp to top producer and beyond…