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Jim Ottewill
“The environment I recorded in is one of the main characters of the album”: Anomalie on debut LP, Galerie
Gazelle Twin, 10 years on from her groundbreaking debut: “You need to leave yourself open to learning and making mistakes”
“Anything is possible in today’s music scene” – Roy Lenzo on working with Lil Nas X and using failure to inspire success
Kasztan on working with M83 and marrying techno with post-rock: “Everyone has their own path but working and writing every day is key”
“I want to create a resource and kick down doors” Wavy Wayne on taking tips from Dr Dre and going viral with music education
Who is Godford? Behind the mask of the elusive French electronic artist: “When I’m producing music, I’m in my own world”
“Many music-makers forget that they’re trying to tell a story”: Austen Jux-Chandler on working with Kali Uchis and Adele
How DJ and film composer Hannah Holland made her debut album in a shipping container
CHVRCHES: “Don’t ever stop listening. The day you do is a warning sign”
Aziya on building an audience from her bedroom, impressing Grimes and releasing debut EP, We Speak of Tides
Fraser T Smith: “We’ll look back on stereo like we do black and white TV”
Jessy Lanza: “Record everything when you’re first working with a new device”
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