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AFROJACK: “It’s possible to achieve success in the music industry if you abide by certain disciplines and rules”
Modular racks, Moog synths and sandwiches: Inside ‘Betty’s’, Sylvan Esso’s “off-grid” studio
“Let your instinct lead the process,” says dancer-turned-producer DJ Karaba
How the vinyl industry weathered pandemic disruptions to emerge stronger than ever
Bootlegs, covers, and scammers: inside Slushii’s fight to reclaim digital ownership
Tycho’s $160,000 studio collection is flying off Reverb’s shelves: Why he’s selling and what to expect from his 2024 album
The Scarlett 4th Gen story: Focusrite’s journey from George Martin’s AIR to bedroom studios everywhere
Chris Lake: “If you’re trying to sound like everyone else, how are you going to stand out?”
How KOAN Sound built a galaxy for their new album, Led By Ancient Light: “It felt like being a beginner again”
Ukrainian-Russian producer Wyro on finding solace in production: “When you open Ableton, it chills you out”
Mac DeMarco: “I like to respect the way that recordings come to be”
Mixing elements of a project is like “playing Tetris”, says Breauski
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