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How KOAN Sound built a galaxy for their new album, Led By Ancient Light: “It felt like being a beginner again”
Ukrainian-Russian producer Wyro on finding solace in production: “When you open Ableton, it chills you out”
Mac DeMarco: “I like to respect the way that recordings come to be”
Mixing elements of a project is like “playing Tetris”, says Breauski
Night Tapes: “Other producers seemed like wizards. Then we found out they just had better plugins”
Robb McDaniels’ Beatport wants to cultivate a new wave of creators and build “the Connected DJ Booth” of the future
IK Multimedia’s UNO Synth Pro X is what the synth community deserved from the start
“It feels good”: Saoirse’s shift from DJ to producer has been a long time coming
Cool careers in music: Ché Leader is creating an accessible music industry
Jayda G: “If you try to sound like someone else, you’ll be chasing your tail”
Stelios Vassiloudis on the “crazy Reaktor patches” and free plugins he used on ‘Human Damage Human’
How a file named ‘Deadmau5 Meets Two Shell’ became Ineffekt’s new hit, The Light
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