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NAMM 2019
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Wednesday, April 24, 2019
MusicTech
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The Pioneer DJ Toraiz SQUID is the hardware sequencer of your…
Mike McGrath, founder of synth forum Muff Wiggler, has died
Get your Bandcamp tracks pressed with the company’s new vinyl service
UDO teases Super 6, a 12-voice polyphonic synthesizer
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80s electro-pop pioneer Howard Jones is still obsessed with synths
Stem mastering can solve mix issues: Cass Irvine of Wired Masters
Tarek Musa is the (Spring) King of the studio
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Tips on stereo mastering in the DAW with Wired Masters
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Using the new features in Ableton Live 10.1
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Magazine
NAMM 2019
Tag: Ableton Live
Tips on stereo mastering in the DAW with Wired Masters
Will Betts
-
23rd April 2019
How to Link and sync with Ableton Live
Martin Delaney
-
23rd April 2019
Using the new features in Ableton Live 10.1
Martin Delaney
-
18th April 2019
Review: Ableton Live 10.1
Martin Delaney
-
17th April 2019
12 best controllers for Ableton Live
Martin Delaney
-
15th April 2019
Review: Isotonik Studios Modular Series
Alex Holmes
-
22nd March 2019
Return tracks in Ableton Live 10
Martin Delaney
-
11th March 2019
Compression and limiting demystified in Ableton Live
Martin Delaney
-
11th February 2019
Watch Point Blank’s first in-depth look at Ableton Live 10.1
MusicTech.net
-
11th February 2019
Watch: Exclusive track build with Ableton Live 10.1 new features
Will Betts
-
6th February 2019
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Trending
The Pioneer DJ Toraiz SQUID is the hardware sequencer of your...
24th April 2019
Mike McGrath, founder of synth forum Muff Wiggler, has died
24th April 2019
Get your Bandcamp tracks pressed with the company’s new vinyl service
24th April 2019
UDO teases Super 6, a 12-voice polyphonic synthesizer
24th April 2019
Review: Universal Audio Apollo x6
24th April 2019
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