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MusicTech
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AES 2019: The best gear of Day 2
Analogue challenges Teenage Engineering’s retro approach with Pocket
First artists revealed for Loop 2020 lineup
United Studio Tech reveals $800 UT FET47
DAW
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Review: Behringer MS-101
Review: Wave Alchemy Bassynth
Review: Zeppelin Design Labs Altura MkII MIDI Theremin
Review: Loopmasters Nu Jazz & Neo Soul
Features
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A look back at the Yamaha VL1, a groundbreaking modelling synth
How the computer became the ultimate synth
Techno star and Ibiza mainstay Francisco Allendes gives us production tips…
French DJ and producer Rocco Rodamaal explains how he recreated a…
Tutorials
All
Ableton Live
Apple Logic Pro
Avid Pro Tools
Image-Line FL Studio
Other DAWs & Tips
PreSonus Studio One
Propellerhead Reason
Steinberg Cubase
Mastering using Cubase 10
Making big techno kicks with Danny Linton and Point Blank
Watch Point Blank switch up different BPM and genre in this…
How to create easy, free electronic dance music
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6 of the best freeware orchestral plug-ins
10 tips on optimising computers for music-making
6 of the best freeware creative effects
6 of the best freeware mix effects
Magazine
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AES 2019
Martin Delaney
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Back to basics: How to use Ableton Live 10 and Push
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Review: Isotonik Studios CrossFire
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How to use guitars with Ableton Live 10
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How to use Ableton Live with MIDI keyboards
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12 best products for live performance
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Rediscovering the QY700, Yamaha’s large, mains-powered beast
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How to take your mixes from studio to stage
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14th June 2019
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