This nifty mini keyboard controller can speak fluently with a range of gear, and looks to be centre of your live performance setup. Does it achieve the perfect balance of features vs. price?
Marrying the worlds of synthetic pop, techno and classical music and forgrounding his trademark delicate piano, Ólafur Arnalds explains how he constructed his latest album both pre- and post-lockdown.
In Paris, Roche Musique’s pioneer weaves wondrous nu-disco with an arsenal of powerful plug-ins and top-notch monitoring. In this week's Show Off Your Studio, he shows us what's possible with a few controllers and a laptop
We asked you to vote in 13 categories, and our experts have since deliberated on the results. Here are the winners for our Gear of the Year roundup of the ’20s.
With the beta of Live 11 in our hands, it’s time for us to scope out some of the most intriguing new additions. While there’s not much in the way of new instruments as such, there are many new sounds and workflows to explore.
Feeling highly strung about your current project? Fret not! We explore how legendary artists incorporated strings into their work, and show you how similar results can be achieved with Orchestral Tools' LA Sessions.
This nifty mini keyboard controller can speak fluently with a range of gear, and looks to be centre of your live performance setup. Does it achieve the perfect balance of features vs. price?
Marrying the worlds of synthetic pop, techno and classical music and forgrounding his trademark delicate piano, Ólafur Arnalds explains how he constructed his latest album both pre- and post-lockdown.
In Paris, Roche Musique’s pioneer weaves wondrous nu-disco with an arsenal of powerful plug-ins and top-notch monitoring. In this week's Show Off Your Studio, he shows us what's possible with a few controllers and a laptop
We asked you to vote in 13 categories, and our experts have since deliberated on the results. Here are the winners for our Gear of the Year roundup of the ’20s.
With the beta of Live 11 in our hands, it’s time for us to scope out some of the most intriguing new additions. While there’s not much in the way of new instruments as such, there are many new sounds and workflows to explore.
Feeling highly strung about your current project? Fret not! We explore how legendary artists incorporated strings into their work, and show you how similar results can be achieved with Orchestral Tools' LA Sessions.
Following our primer in part one, this time we take a deeper dive into the nitty-gritty of automation in Cubase, with tips and methods to work around common problems and pitfalls.
Cubase contains loads of tools for creating and editing automation data, and practically every mix, instrument and effect parameter can be controlled via this data. We bring you the details.
Inspiration is easily sapped by the minutiae of setting up projects, tracks and plug-ins in your DAW. However, Cubase has a few tricks to ease this perennial problem and keep those juices flowing.
In our last issue’s Cubase workshop, we dug into the details of the Drum Editor. This time around, it’s the turn of the Drum Maps which power that Editor…
The Drum Editor has been a staple part of Cubase since its very first version, but some of its cleverest tricks are masked by its intuitive simplicity. We delve deeper to show you how to bend its feature set to your will…
In the second of our series focussing on Cubase’s audio manipulation capabilities, Adam Crute takes a look at time stretching and pitch shifting...
Last time...